Ronald Cornelissen

 

Bus Twentysix
Ink, pencil, watercolor and gouache on paper – 79,5 x 140 cm – 2020

Ice Watch
Ink, pencil, watercolor, acrylic paint and gouache on paper – 79,5 x 140 cm – 2020
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Ice in Jökulsárlón (Iceland)
Ink, pencil, watercolor and gouache on paper – 71,5 x 102 cm – 2020

Iceberg
Ink, pencil, watercolor and gouache on paper – 70 x 93 cm – 2020

Svea (Kongsfjorden, Svalbard)
Ink, pencil, watercolor and gouache on paper – 70,5 x 93,5 cm – 2020
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The Mole I (Vei 303)
Ink, pencil, watercolor and gouache on paper – 70,5 x 91 cm – 2020

The Mole II (Vei 303)
Ink, pencil, watercolor and gouache on paper – 70,5 x 97 cm – 2020

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Genesis
Ink, pencil, watercolor, gouache and acrylic paint on paper – 98 x 198 cm – 2020

C.O.P.D.
Ink, pencil, watercolor, gouache and acrylic paint on paper – 98 x 198 cm – 2020

Rattus rattus
Ink, pencil, watercolor, gouache and acrylic paint on paper – 98 x 198 cm – 2020

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Hell Gate
Ink, pencil, watercolor and acrylic paint on paper – 91,5 x 72 cm – 2020

C’mon Shake!
Ink, pencil, watercolor and acrylic paint on paper – 91 x 70,5 cm – 2020

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Blow
Ink, pencil, watercolor and gouache on paper – 70,5 x 96,5 cm – 2020

Carnival, a celebration of exuberant carefreeness
Ink, pencil, watercolor and gouache on paper – 65,5 x 92 cm – 2020

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Qvitoq
Ink, pencil, watercolor and gouache on paper – 65 x 90 cm – 2020

Quasiganguit (Celica)
Ink, pencil, watercolor and gouache on paper – 67 x 96 cm – 2020

Illulisat
Ink, pencil, watercolor and gouache on paper – 69 x 112 cm – 2020

With many thanks to: Philippe Hercher and Louis Adam
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This selection of drawings was shown at Gallery Bernard Jordan  between November 16 and December 21 2019 under the title Frosty’s lament.

The drawings ÖIL, Latrodectus & Rats get fat while good chicks die feature a building that is called the Taubanesentralen in Longyearbyen in Svalbard where I spend time in Galleri Svalbard in the summer of 2018. This building was once the pivot for the cable-ways to transport coal from the mines to the harbor. The building has now lost its function because coal mining in Longyearbyen has been brought to an end, apart from one remaining mine,‘gruve 7’, mine 7 in Adventdalen, which still operates on a comparatively small scale.

Photo’s/foto’s: Aurélien Mole
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Nine drawings shown under the title Frosty’s lament at galerie Bernard Jordan in Paris in 2019.
Ink, pencil, watercolor and gouache on paper – all drawings are  45 x 60 cm – 2019
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Bird Motor Scooter
Ink, pencil, ballpoint, watercolor and gouache on paper – 71 x 96 cm – 2019…